Of course much worse is to come as the rest of the Bulgarian gang turn up, drug her and take her to some undefined basement. Unfortunately he decides to make a return visit in the dead of night to photograph her while she's sleeping – I have no idea how he gets in as the door is locked when she tries to run away – and then proceeds to rape her on the floor of her apartment. It's lazy, lazy writing that plays to the worst in US horror cinema.Īnyway, she abandons the photo shoot when they ask her to take her clothes off, but one of the gang helpfully drops off her photos on a memory stick.
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If the first movie drives at the point that no civilised American could resort to this kind of rape and abuse – only terrible 'redneck' stereotypes would do that – then this movie implies that only someone from outside of America could turn to such foul actions. I only mention it because it just screams out like some sort of sub- Hostel xenophobia which just grated on me all the way through.
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She spies an ad for a free photoshoot with a new agency, which she takes up as a last resort, and arrives to find a bunch of creepy guys – foreign guys no less, Bulgarian as we find out a bit later on. Don't go expecting any further characterisation than that, which is basically all set up within the first five minutes. The story follows Katie, a beautiful young woman who is an aspiring model but happens to live in a run-down apartment and is struggling to get together the cash for a fresh set of photos for her portfolio. There's also something to be said for having the chance to compare and contrast, so it's time for I Spit On Your Grave 2. But sometimes once you get into a headspace and a zone it's as sensible as anything to just keep rolling on. Not that I was expecting a great deal of plot links, or continuing storyline, or genuinely anticipating this movie would really offer anything greatly different to its 2010 predecessor.
She then does what it says on the poster: Jennifer hunts down each of her rapists and kills them in horrible ways, as no jury would convict her.I Spit on Your Grave month rolls on with our latest review, with a three year gap between the remake that began a new trilogy of movies in this rape-revenge series. She allows herself a couple of weeks to heal and goes to a church to ask God for forgiveness for what she is about to do. Matthew pretends to go through with it but leaves the woman alive. They leave her in the house a broken mound and give Matthew a knife to go back in and finish her off. They gang-rape Jennifer repeatedly while beating her to a pulp, eventually goading Matthew to join in. Knowing child-like Matthew is a virgin, his friends harass and corner Jennifer under the pretense they’re helping Matthew have his first experience with a woman. Matthew talks about his crush on Jennifer to his fishing buddies Johnny (Eron Tabor), Stanley (Anthony Nichols), and Andy (Gunter Kleemann). Groceries are delivered by a local developmentally challenged man, Matthew (Richard Pace), whom she befriends. The plot follows Jennifer (Camille Keaton), a writer from New York who has rented a house by the lake in the woods to write her novel for the summer. “ Jennifer hunts down each of her rapists and kills them in horrible ways, as no jury would convict her.” I suspect if he had deemed to speak to that woman, she would’ve told him how accurately Zarchi presents the ugly reality of rape in a way nothing had before.
He wondered what this woman would have said about the first hour of onscreen rape. Ebert does mention a woman in the back of the theater shouting “Right on, Sister!” when the victim unleashes revenge. He went on about how the creatures around him were cheering on the rapists, echoing the previous concerns censors had about A Clockwork Orange and its effect on potentially deranged viewers and the acts it would inspire. His scathing 1980 review seems to be more about the grindhouse audience watching the film rather than the actual product. Roger Ebert campaigned against I Spit On Your Grave vigorously. Fangoria magazine, which exposed the world to the most violent movies of the 20th century, refused to write anything about it for six years. It played the flea palaces of Times Square as well as several other inner-city theaters for years, gaining the reputation as dangerous. However, it became a smash in 1980 when distributor Jerry Gross re-titled it and marketed it as a horror picture. This rape-revenge epic was initially a flop when released in 1978 as Day of the Woman. NEW TO BLU-RAY! Writer/director Meir Zarchi’s I Spit On Your Grave is the grindhouse era’s Gone With The Wind.
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