(Museum officials said this year for the first time, the centerpiece will remain in place another day, for public view).Īs guests entered from the red carpet, with crowds screaming outside, they passed a 12-piece chamber orchestra that played American classics like “At Last” until dinner. Another 150,000 roses bathed every inch of the Great Hall staircase - a striking backdrop for the hosts’ receiving line.Īlso striking: The giant centerpiece, this year the tallest it’s ever been - a 50-foot, golden creation representing the torch in the hand of Lady Liberty. The outside steps to the Metropolitan Museum of Art were lined with 50,000, with another 75,000 surrounding the lobby centerpiece. The question is whether there were any pink roses left in the city after Monday’s gala. “We’re showing that New York is back.”Ĭertainly New York florists were back, if they hadn’t been already. “We’re celebrating craftsmanship and we’re celebrating America,” said celebrity chef Marcus Samuelsson, who again this year curated the night’s menu, choosing a slate of female chefs and taking on the main course himself - a barbecue-style beef, he said, with corn and succotash.
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Others said the night was an important way of showing that New York was back in full force, even with the pandemic still upon us. Others pointed out, accurately, that the gala funds theMet’s Costume Institute, allowing for exhibits such “In America: An Anthology of Fashion,” which opens this week and explores unsung heroes and untold stories in American fashion history, especially women, and women of color. Some guests wrestled with that thought as they pondered the meaning of the evening. Of course, take one letter off “classy” and you have “class,” with all the tricky implications of channeling an era that saw the creation of excessive wealth and income inequality in the United States. Even allowing for creativity, this was not the night for artfully ripped jeans. Headpieces and bustles and perhaps the accessory of the night: the tiara, sported by none other than Vogue’s Anna Wintour, who runs the gala, wearing a family heirloom.
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The TV host waved his arm around the room, taking in the hundreds of guests who’d followed the sartorial instructions – “gilded glamour” - and came in the best Gilded Age finery they could muster. But James Corden, schmoozing at this year’s cocktail reception, looked around and pronounced that this might be his favorite yet. NEW YORK (AP) - Met Galas, he’s been to a few.
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